Slippery Pastimes: Reading the Popular in Canadian Culture

Couverture
Joan Nicks, Jeannette Sloniowski
Wilfrid Laurier Univ. Press, 1 janv. 2006 - 360 pages

Sixteen essays, written by specialists from many fields, grapple with the problem of a popular culture that is not very popular — but is seen by most as vital to the body politic, whether endangered by globalization or capable of politically progressive messages for its audiences.

Slippery Pastimes covers a variety of topics: Canadian popular music from rock ’n’ roll to country, hip-hop to pop-Celtic; television; advertising; tourism; sport and even postage stamps! As co-editors, Nicks and Sloniowski have taken an open view of the Canadian Popular, and contributors have approached their topics from a variety of perspectives, including cultural studies, women’s studies, film studies, sociology and communication studies. The essays are accessibly written for undergraduate students and interested general readers.

 

Table des matières

INTRODUCTION
1
HERITAGE
19
TELEVISION
109
MUSIC
175
SPORTS
297
CONTRIBUTORS
345
Droits d'auteur

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À propos de l'auteur (2006)

Joan Nicks is an adjunct professor in the Department of Communication, Popular Culture and Film at Brock University. She is co-editor with Jeannette Sloniowski of Slippery Pastimes: Reading the Popular in Canadian Culture (WLU Press, 2002). Her writing on film and popular culture has appeared in Candid Eyes: Essays on Canadian Documentaries (2003), Gendering the Nation: Canadian Women’s Cinema (1999), Documenting the Documentary: Close Readings of Documentary Film and Video (1998), and various journals.

Barry Keith Grant is a professor of film studies and popular culture at Brock University. He is the author or editor of twenty books, including 100 Documentary Films (with Jim Hillier, 2009), Auteurs and Authorship: A Film Reader (2007), Film Genre: Film Iconography to Ideology (2007), Film Genre Reader (2003) and The Dread of Difference: Gender and the Horror Film (1996), and his work has appeared in numerous journals and anthologies. He edits the Contemporary Approaches to Film and Television series for Wayne State University Press and the New Approaches to Film Genre series for Wiley Blackwell.

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