Ecstatic Worlds: Media, Utopias, EcologiesMIT Press, 25 août 2017 - 368 pages When media translate the world to the world: twentieth-century utopian projects including Edward Steichen's “Family of Man,” Jacques Cousteau's underwater films, and Buckminster Fuller's geoscope. janine |
Table des matières
| 1 | |
| 19 | |
Worlds | 85 |
Planet | 159 |
An Ecological Approach to Media Studies | 249 |
Notes | 267 |
| 317 | |
| 341 | |
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3D film aesthetic animals Anthropocene approach architects architecture argued artists Bataille Bataille’s Bazin biosphere British Buckminster Fuller camera chapter CineCycle Colin Low collective communication context create culture developed Disney Disney’s documentary earth ecology economy Ecstatic Worlds Edward Steichen energy environment essay exhibition Expanded Cinema experience experimental explore Expo 67 Family Farm Farm’s Festival of Britain film festivals film’s filmmakers forms future Geddes’s Georges Bataille Giedion global Heath human Humphrey Jennings Ibid idea images included inflatable Jacques Cousteau Jaqueline Tyrwhitt Jennings Kracauer Kurenniemi Labyrinth live London Marshall McLuhan McLaren Merleau-Ponty multiple multiscreen National Film Board nature networks Norman McLaren ocean Patrick Geddes photographs planet planetary political postwar produced screen sense Silent World social Sontag space Stoekl Telekinema television Theory of Film thinking tion Toronto trans Uexküll umwelt underwater urban planning utopian vision visual York