World as Design: Writings of DesignJohn Wiley & Sons, 27 juil. 1994 - 192 pages Otl Aicher's writings are explorations of that world. They are a substantive part of his work. In moving through the history of thought and design, building and construction he assures the possibilities of arranging existence in a humane fashion. As ever he is concerned with the question of the conditions needed to produce a civilization culture. These conditions have to be fought for against apparent factual or material constraints and spiritual and intellectual substitute offers. Otl Aicher has a taste for dispute. For this reason this volume contains polemical statements on cultural and political subjects as well as practical reports and historical exposition. Aicher fights with productive obstinacy above all for the renewal of Modernism, which he says has largely exhausted itself in aesthetic visions. He insists that the ordinary working day is still more important than "cultural sunday." Wolfgang Jean Stock |
Table des matières
preface by sir norman foster | 9 |
introduction | 10 |
crisis of modernism | 16 |
doing without symbols | 28 |
aesthetic existence | 36 |
the third modernism | 40 |
charles eames | 62 |
hans gugelot | 66 |
the signature | 124 |
intelligent building | 132 |
my workspace does not yet exist | 138 |
difficulties for architects and designers | 143 |
appearance | 150 |
graphic designers space to be themselves | 167 |
a new typeface | 175 |
the world as design | 179 |
flying machines by paul mc cready | 77 |
bauhaus and | 85 |
architecture as a reflection of the state | 94 |
the nonusable useful item | 113 |
afterword | 190 |
192 | |
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Expressions et termes fréquents
achieved adolf loos aesthetic aircraft aldo rossi archi architects architecture artistic bauhaus beautiful become building built centre century chair charles eames circle colour concept concerned concrete corbusier created creative cubism culture cutlery door handle economic engineer ERCO everything existence façade factory frankfurt kitchen freedom function german graphic designers gropius gugelot hannes meyer hans gugelot human idea individual industrial kandinsky kettle kind kitchen le corbusier light live longer look lothar späth machine manufacture mart stam material means models modern mondrian museum nature norman foster object Otl Aicher painters painting paul mc cready philosophy picture piet mondrian possible principle programme pure question reason shape social society someone space spirit square structure style symbol technical tecture things thinking tion triangle ture typeface visual appearance walter gropius window zeitgeist
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