The Cambridge Companion to the Modernist Novel

Couverture
Morag Shiach
Cambridge University Press, 19 avr. 2007 - 249 pages
The novel is modernism's most vital and experimental genre. In this 2007 Companion leading critics explore the very significant pleasures of reading modernist novels, but also demonstrate how and why reading modernist fiction can be difficult. No one technique or style defines a novel as modernist. Instead, these essays explain the formal innovations, stylistic preferences and thematic concerns which unite modernist fiction. They also show how modernist novels relate to other forms of art, and to the social and cultural context from which they emerged. Alongside chapters on prominent novelists such as James Joyce and Virginia Woolf, as well as lesser-known authors such as Dorothy Richardson and Djuna Barnes, themes such as genre and geography, time and consciousness are discussed in detail. With a chronology and guide to further reading, this is the most accessible and informative overview of the genre available.

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Pages sélectionnées

Table des matières

Section 1
32
Section 2
48
Section 3
65
Section 4
82
Section 5
99
Section 6
112
Section 7
126
Section 8
137
Section 9
151
Section 10
165
Section 11
178
Section 12
191
Section 13
206

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À propos de l'auteur (2007)

Morag Shiach is Vice-Principal (Teaching and Learning) at Queen Mary, University of London, where she is also professor of Cultural History in the School of English and Drama. Her most recent books are Modernism, Labour and Selfhood in British Literature and Culture, 1890-1930 (Cambridge University Press, 2004) and (ed.) The Cambridge Companion to the Modernist Novel (Cambridge University Press, 2007). She has published a wide range of articles on aspects of modernism, including language reform, domestic interiors and philosophies of history. She edited Feminism and Cultural Studies (1999) and has published widely on the French novelist, essayist and playwright Hélène Cixous.

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