Afro-Cuban Bass GroovesThis book will help any musician unlock the secrets of the Afro-Cuban rhythmic feel. By clearly demonstrating the underlying pattern called the Clave and the comping patterns called Tumbaos which are played over the Clave, this book will help every bass player learn these fundamental Latin rhythms. (Matching keyboard book (EL9706CD) also available.) |
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Table des matières
Latin American Music 6 C7 Tumbaos Descargas 44 | 23 |
18 4 Example 30 58 | 30 |
Example 39 75 | 39 |
Bomba Plena 34 Example 46 87 | 46 |
Mixing the Styles | 94 |
Expressions et termes fréquents
2:3 Bass Example accents added Afro-Cuban music American and/or arrangements artists band Bb7 Eb7 Ebsus7 Bbm C7 Bbm beats beginning Bomba C9 Gm/C called Cassette CD Clave 2:3 Cha-cha-cha chord Cinquillo Clave 2:3 Bass comping conga course created Cuba Cuban cultures D7 D#dim dance dance music Danzon developing Dominican drum drummer Electric Bass endings ensemble evolved feel Fmaj7 groove Guaguanco hand harmonic improvised Includes incorporated influenced Intro Jorge Jorge Moreno later Latin American Music LATIN JAZZ Latin music Mambo Manny means measures melodic Merengue Miami Mongo Santamaria Montuno musicians originally ostinato percussion performed piano piano tumbaos played players Plena popular Puerto Rico recordings rhythm section rhythmic pattern Rock Salsa scales Solo song Songo sound started string bass studies styles syncopated throughout tres tumbaos tune usually vamp WARNER BROS wide York
Informations bibliographiques
| Titre | Afro-Cuban Bass Grooves |
| Auteurs | Manny Patiño, Jorge Moreno, Aaron Stang |
| Rédacteur | Aaron Stang |
| Éditeur | Alfred Music Publishing, 1997 |
| ISBN | 1576239101, 9781576239100 |
| Longueur | 95 pages |
| Exporter la citation | BiBTeX EndNote RefMan |