The Piano Man's Daughter

Couverture
Crown Publishers, 1995 - 461 pages
In 1939, just before the outbreak of World War II, a young piano tuner, Charlie Kilworth, faces two enigmatic questions: Who was his father? And, given the madness that consumed his mother, does he dare become a father himself? Drawing on his own memories and the memories of those who knew and loved Lily Kilworth and on the iconic contents of a wicker suitcase she took with her everywhere, Charlie pieces together the story of a vivid, mercurial woman whose madness was both a gift and a curse. Conceived and born in a field of wildflowers and meadow grasses, Lily inhabits an idyllic late-Victorian world until the collision of two forces changes her life forever: she becomes entranced with fire and the terrifying freedom it unleashes in her mind; and, when her mother unexpectedly marries the brother of Lily's dead father, Lily moves with them from her grandparents' farm to the burgeoning metropolis of turn-of-the-century Toronto. As Charlie uncovers the bizarre and triumphant story of his mother, he begins to understand her need to escape, her fear of the voices beckoning from within the flames and her compulsion to heal the walking wounded. When he begins to forgive her for his own childhood, he arrives, finally, at the resolution of his quandaries about fatherhood.

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Section 1
3
Section 2
6
Section 3
13
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À propos de l'auteur (1995)

Timothy Findley was born in 1930. A native of Toronto, Canada, novelist and playwright Timothy Findley initially embarked upon an acting career. Findley worked for the Canadian Stratford Festival and later, after study at London's Central School of Speech and Drama, he toured Britain, Europe, and the United States as a contract player. While performing in The Matchmaker by Thornton Wilder, Findley was encouraged by the playwright to write fiction. Influenced by film techniques, Findley's first novel, The Last of the Crazy People (1967) is a penetrating look at a family of "emotional cripples" from a child's perspective. With his character Hooker, Findley captures the irrational logic of a child's mind without treating childhood sentimentally.The Butterfly Plague followed in 1969. The Wars (1978), Findley's most successful novel, has been translated into numerous languages and was made into a film. The Wars uses the device of a story-within-a-story to illustrate how a personality transcends elemental forces even while being destroyed by them. In 1981 Famous Last Words was published. This fictionalization of Hugh Selwyn Mauberley by Ezra Pound, a work that was already a "fictional fact," examines fascism. In Not Wanted on the Voyage (1984), Findley rewrites the story of Noah's Ark by giving voices to women, children, workers, animals, and folklore creatures, all of whom question Noah's authority. The novel turns into a parable that seems to challenge imperialism, eugenics, fascism, and any other force that endangers human survival. Again repeating an earlier text, Findley turns to Thomas Mann's Death in Venice to write The Telling of Lies (1986). This novel draws parallels between World War II atrocities and contemporary North America, which Findley sees as a metaphoric concentration camp. Findley died on June 20, 2002 in Provence, France

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