Byzantine Art and Renaissance EuropeThis title discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the 15th-16th centuries and the formation of icon collection in Renaissance Italy. |
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Table des matières
| 1 | |
| 21 | |
| 37 | |
| 61 | |
Candia and PostByzantine Icons in Late Fifteenthcentury | 101 |
Byzantine Icons in the Netherlands Bohemia and Spain | 135 |
Byzantine Icons in the Medici Collection | 157 |
Index | 189 |
Expressions et termes fréquents
Angeliki Lymberopoulos Ano Viannos Archangel Michael architecture Bargello Bertelà Byzantine art Byzantine Empire Byzantine icons Byzantium Candia Casola Casola’s Pilgrimage Catholic Chania Chapter Christ church of Saint collection Colour Plate Cretan churches Cretan icons Crete Crusader cultural d'argento decoration Diogenes Papadopoulos Duccio Duits early El Greco Europe Faith and Power fall of Constantinople Felix Fabri fifteenth century figures first Florence Florentine fourteenth century frescoes Fusco and Corti Giunta Pisano Greek hand of Saint Hemmerdinger-Iliadou Herakleion Hodegetria Holy Ibid iconography identified images inscription inventory island Italian artists Italy Latin London Lorenzo Medici medieval miniature mosaic monastery Mystras Newall Orthodox Ottoman Palaiologan Pantokrator patrons Photo pilgrims post-Byzantine art prefecture reflect religious Renaissance Art revetments Rome Saint George Saint Luke Saint Pelagia Saint Titus San Marco Selino Spallanzani specifically tradition Vasiliki Vasiliki Tsamakda Vassilaki Venetian Venetian Crete Venice Venice’s Virgin and Child wall painting western wood

