Music in Television: Channels of ListeningJames Deaville Taylor & Francis, 2011 - 256 pages Music in Television is a collection of essays examining television’s production of meaning through music in terms of historical contexts, institutional frameworks, broadcast practices, technologies, and aesthetics. It presents the reader with overviews of major genres and issues, as well as specific case studies of important television programs and events. With contributions from a wide range of scholars, the essays range from historical-analytical surveys of TV sound and genre designations to studies of the music in individual programs, including South Park and Dr. Who. |
Table des matières
The Problem of Music in Television | 1 |
Practices and Theories of Television Music
| 5 |
A Discipline Emerges Reading Writing about Listening to Television
| 7 |
Coperettas Detecterns and Space Operas Music and Genre Hybridization in American Television
| 35 |
Television Music and the History of Television Sound
| 57 |
Rural Music on American Television 19482010
| 81 |
Music in the Golden Age of Television News Documentaries at NBC
| 103 |
Case Studies in Television Music
| 117 |
From Punk to the Musical South Park Music and the Cartoon Format
| 143 |
Its Whats Happening Baby Television Music and the Politics of the War on Poverty
| 165 |
Channeling Glenn Gould Masculinities in Television and New Hollywood
| 183 |
The Rock Mans Burden Consuming Canada at Live 8
| 199 |
Generation X South Park and Television Music Composition An Interview with Adam Berry Conducted by Sean Nye
| 217 |
Notes on Contributors | 227 |
| 231 | |
Bad Wolf Leitmotif in Doctor Who 2005
| 119 |
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