L'avareD.C. Heath & Company, 1904 |
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Page ix
... character are his good sense , his kindness and generosity . That he was capable of deep and lasting friendship may be gathered from the testi- mony of those who entertained friendly relations with him . The poet's seriousness is dwelt ...
... character are his good sense , his kindness and generosity . That he was capable of deep and lasting friendship may be gathered from the testi- mony of those who entertained friendly relations with him . The poet's seriousness is dwelt ...
Page x
... character of the elder Poquelin in the light of recent research , it is more than likely that the poet reproduced a number of his father's traits in the character of Harpagon . Among the stories current then we may mention that of a ...
... character of the elder Poquelin in the light of recent research , it is more than likely that the poet reproduced a number of his father's traits in the character of Harpagon . Among the stories current then we may mention that of a ...
Page xii
... characters of the Aulularia reappear in L'Avare , their particular treatment differs greatly in the two comedies ... character but also of the entire comedy . Moreover , Harpagon is in love with the * Staphyla also reappears to some ...
... characters of the Aulularia reappear in L'Avare , their particular treatment differs greatly in the two comedies ... character but also of the entire comedy . Moreover , Harpagon is in love with the * Staphyla also reappears to some ...
Page xiii
... character . Euclio's chief concern is to find a hiding - place for his pot . The effects of his avarice can hardly ... characters are made to set forth the principal one - thus differing again from the Aulularia in which the characters ...
... character . Euclio's chief concern is to find a hiding - place for his pot . The effects of his avarice can hardly ... characters are made to set forth the principal one - thus differing again from the Aulularia in which the characters ...
Page xix
... CHARACTERS HARPAGON The principal personage of L'Avare is Harpagon , the miser . All the remaining characters exist only for the purpose of throwing light upon him . Harpagon is not a miser who has suddenly become enriched , like Euclio ...
... CHARACTERS HARPAGON The principal personage of L'Avare is Harpagon , the miser . All the remaining characters exist only for the purpose of throwing light upon him . Harpagon is not a miser who has suddenly become enriched , like Euclio ...
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Expressions et termes fréquents
15 HARPAGON According amour ANSELME appears argent Aulularia avarice avez becomes Belle Plaideuse BRINDAVOINE Bryn Mawr College cassette character characters chose CLEANTE Cloth comedy COMMISSAIRE daughter Dickinson College Edited by Professor edited with notes ÉLISE Euclio exercises father fessor fille finally find first FLÈCHE following follows found FROSINE generally German give Goethe's good Grammar great hauts-de-chausses High School Hôtel de Bourgogne infinitive interest introduction and notes j'ai l'argent L'Avare line Livet love made MAÎTRE JACQUES MAÎTRE SIMON make MARIANE meaning means MERLUCHE mille écus modern French Molière Molière's money Monsieur notes and vocabulary notes by Prof notes by Professor noun obsolete order parler père personne play Précieuses ridicules Reader rien same SCENE Schiller's seems Selected and edited Selections sense sera seventeenth century shows time title Tulane University University used VALÈRE veux vocabulary by Dr Voilà Wilhelm Bernhardt word ΙΟ
Fréquemment cités
Page 112 - Ah ! c'est moi ! Mon esprit est troublé, et j'ignore où je suis, qui je suis, et ce que je fais. Hélas ! mon pauvre argent ! mon pauvre argent ! mon cher ami ! on m'a privé de toi ; et, puisque tu m'es enlevé, j'ai perdu mon support, ma consolation, ma joie : tout est fini pour moi, et je n'ai plus que faire au monde.
Page 66 - HARPAGON. Que diable, toujours de l'argent! Il semble qu'ils n'aient autre chose à dire : « De l'argent, de l'argent, de l'argent ». Ah ! ils n'ont que ce mot à la bouche : « De l'argent !
Page 112 - Hé! de quoi est-ce qu'on parle là? de celui qui m'a dérobé? Quel bruit fait-on là-haut? Est-ce mon voleur qui y est? De grâce, si l'on sait des nouvelles de mon voleur, je supplie que l'on m'en dise. N'est-il point caché là parmi vous? Ils me regardent tous , et se mettent à rire. Vous verrez qu'ils ont part, sans doute, au vol que l'on m'a fait. Allons vite, des commissaires, des archers, des prévôts, des juges, des gênes, des potences, et des bourreaux. Je veux faire pendre tout le...
Page ix - Sous ce tombeau gisent Plaute et Térence, Et cependant le seul Molière y gît. Leurs trois talents ne formaient qu'un esprit Dont le bel art réjouissait la France. Ils sont partis, et j'ai peu d'espérance De les revoir. Malgré tous nos efforts, Pour un long temps, selon toute apparence, Térence, et Plaute, et Molière sont morts.
Page vii - Il avait les yeux collés sur trois ou quatre personnes de qualité qui marchandaient des dentelles; il paraissait attentif à leurs discours, et il semblait, par le mouvement de ses yeux, qu'il regardait jusqu'au fond de leurs âmes, pour y voir ce qu'elles ne disaient pas. Je crois même...