A Companion to Early Cinema

Couverture
André Gaudreault, Nicolas Dulac, Santiago Hidalgo
John Wiley & Sons, 17 juil. 2012 - 656 pages
A COMPANION TO EARLY CINEMA

“This collection of essays by early cinema scholars from Europe and North America offers manifold perspectives on early cinema fiction which perfectly reflect the state of international research.”

– Martin Loiperdinger, Universitaet Trier

“A fabulous selection of first-rate articles!”

– Rick Altman, University of Iowa

“One of the most challenging books in recent film studies: in it, early cinema is both a historical object and a contemporary presence. As in a great novel, we can retrace the adventures of the past – the films, styles, discourses, and receptions that made cinema the breakthrough reality it was in its first decades. But we can also come to appreciate how much of this reality is still present in our digital world.”

– Francesco Casetti, Yale University

A Companion to Early Cinema is an authoritative reference on the field of early cinema. Its 30 peer-reviewed chapters offer cutting-edge research and original perspectives on the major concerns in early cinema studies, and take an ambitious look at ideas and themes that will lead discussions about early cinema into the future.

Including work by both established and up-and-coming scholars in early cinema, film theory, and film history, this will be the definitive volume on early cinema history for years to come and a must-have reference for all those working in the field.

 

Table des matières

Early Cinema Discourses 119
7
Toward a History of Peep Practice
32
Late NineteenthCentury
52
The Théâtrophone an Anachronistic Hybrid Experiment
80
Modern Pantomime and the Making
99
First Discourses on Film and the Construction
121
The Discourses of Art in Early Film or Why Not Rancière? Rob King
141
Sensationalism and Early Cinema
163
Early Cinema Presentations
315
An Overture Five Acts and an Interlude
334
Alternation Format StageandScreen Hybrids
360
Advance Newspaper Publicity for the Vitascope
381
Storefront Theater Advertising and the Evolution
398
Film and Prisons during
420
Early Cinema Identities
441
The Invention of Cinematic Celebrity in the United Kingdom
460

Series and Serial Production Discourses
183
Film Consciousness
202
Early Cinema and Film Theory
224
Early Cinema Forms
243
The American Chase Film
257
Educational
277
The Aesthetic
298
The Film Lecturer
487
Early Cinema Recollections
525
The Digital Restoration and Exhibition
550
Reflexivity and Deixis
568
Is Nothing New? TurnoftheCentury Epistemes in Film History
587
Index
610
Droits d'auteur

Autres éditions - Tout afficher

Expressions et termes fréquents

À propos de l'auteur (2012)

André Gaudreault is Professor in Film Studies at the Université de Montréal, where he heads the research group GRAFICS (Groupe de recherche sur l’avènement et la formation des institutions cinématographique et scénique). He is also director of the bilingual journal Cinémas, published in Montreal. He has presented numerous scholarly papers and published extensively on film narration and early cinema.

Nicolas Dulac is Lecturer in Film Studies at the Université de Montréal. He has published on early cinema and turn-of-the-century popular culture in journals such as 1895 Revue d’Histoire du Cinéma, Cinema & Cie, and Early Popular Visual Culture.

Santiago Hidalgo is Lecturer in Film Studies at the Université de Montréal. He has published on early cinema, film criticism, and film historiography in Cinémas and in conference proceedings for events in Udine, Italy and Cerisy, France.

Informations bibliographiques