The Arts of Fire: Islamic Influences on Glass and Ceramics of the Italian Renaissance

Catherine Hess, Linda Komaroff, George Saliba
Getty Publications, 2004 - 172 pages
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Students and scholars of the Italian Renaissance easily fall under the spell of its achievements: its self-confident humanism, its groundbreaking scientific innovations, its ravishing artistic production. Yet many of the developments in Italian ceramics and glass were made possible by Italy's proximity to the Islamic world. The Arts of Fire underscores how central the Islamic influence was on this luxury art of the Italian Renaissance.
Published to coincide with an exhibition at the Getty Museum on view from May 4 to September 5, 2004, The Arts of Fire demonstrates how many of the techniques of glass and ceramic production and ornamentation were first developed in the Islamic East between the eighth and twelfth centuries. These techniques-enamel and gilding on glass and tin-glaze and luster on ceramics-produced brilliant and colorful decoration that was a source of awe and admiration, transforming these crafts, for the first time, into works of art and true luxury commodities. Essays by Catherine Hess, George Saliba, and Linda Komaroff demonstrate early modern Europe's debts to the Islamic world and help us better understand the interrelationships of cultures over time.

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À propos de l'auteur (2004)

George Saliba is Chairman of the Department of Middle East and Asian Languages and Cultures at Columbia University in the city of New York, and Professor of Arabic and Islamic Science at the same institution. He works mainly on the history of Arabic astronomy, with a special interest in the development of planetary theories. He has won many grants and awards from various organizations including the National Science Foundation and the National Endowment for the Humanities. His current research involves the extension of the survey presented in "History of Arabic Astronomy" to include the centuries before the eleventh and after the fifteenth.

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