The Cinema of Gosho Heinosuke: Laughter Through TearsIndiana University Press, 15 avr. 2005 - 331 pages "The elegant, graceful, and deeply humanistic cinema of Gosho Heinosuke has found its perfect English-language explication in this equally elegant, graceful, and humanistic study by Arthur Nolletti. A director of wide-ranging interests, Gosho was at his strongest in stories of ordinary Japanese life. Like Mizoguchi he had a particular strength and sensitivity to women's issues; like Ozu he was a delicate yet piercing commentator on middle-class life. But he had a voice and style of his own, and Nolletti is careful to define and describe this sensibility in telling detail." —David Desser |
Table des matières
Gosho and Shomin Comedy in the 1930s | 13 |
Dancing Girl of Izu 1933 and the Junbungaku Movement | 43 |
Blending the Shomingeki Shitamachi | 63 |
Once More 1947 and Goshos Romanticism in | 83 |
A New Kind of Shomingeki | 107 |
Money Democracy | 131 |
Adapting the Meijimono Reconfiguring | 156 |
New Challenges and the Quest to Create | 182 |
Changing Times Undiminished Mastery | 212 |
THREE FILMS | 245 |
GOSHO HEINOSUKE | 283 |