Life with PicassoNew York Review of Books, 11 juin 2019 - 384 pages Françoise Gilot’s candid memoir remains “one of the most illuminating [books] we’ve had on the mind and spirit of Picasso”—and gives fascinating insight into the intense and creative life shared by two modern artists (Los Angeles Times). Françoise Gilot was in her early twenties when she met the sixty-one-year-old Pablo Picasso in 1943. Brought up in a well-to-do upper-middle-class family, who had sent her to Cambridge and the Sorbonne and hoped that she would go into law, the young woman defied their wishes and set her sights on being an artist. Her introduction to Picasso led to a friendship, a love affair, and a relationship of ten years, during which Gilot gave birth to Picasso’s two children, Paloma and Claude. Gilot was one of Picasso’s muses; she was also very much her own woman, determined to make herself into the remarkable painter she did indeed become. Life with Picasso is about Picasso the artist and Picasso the man. We hear him talking about painting and sculpture, his life, his career, as well as other artists, both contemporaries and old masters. We glimpse Picasso in his many and volatile moods, dismissing his work, exultant over his work, entertaining his various superstitions, being an anxious father. But Life with Picasso is not only a portrait of a great artist at the height of his fame; it is also a picture of a talented young woman of exacting intelligence at the outset of her own notable career. |
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Page 9
... Bateau Lavoir in Montmartre, and many years later brought bittersweet reminiscences of those days to my house in Paris when she came to give my wife French lessons. About a dozen years ago Alice Toklas described to me a visit she had ...
... Bateau Lavoir in Montmartre, and many years later brought bittersweet reminiscences of those days to my house in Paris when she came to give my wife French lessons. About a dozen years ago Alice Toklas described to me a visit she had ...
Page 70
... Bateau Lavoir, where he had met and lived with Fernande Olivier and where he had painted the Harlequin and circus pictures, the rose-toned nudes that followed his Blue Period paintings, and finally, the early Cubist works. He often ...
... Bateau Lavoir, where he had met and lived with Fernande Olivier and where he had painted the Harlequin and circus pictures, the rose-toned nudes that followed his Blue Period paintings, and finally, the early Cubist works. He often ...
Page 71
... Bateau Lavoir. Pablo nodded toward it. “That's where it all started,” he said quietly. We walked across the little square to the left-hand door. To the left of it the windows were shuttered. “That was where Juan Gris worked,” Pablo said ...
... Bateau Lavoir. Pablo nodded toward it. “That's where it all started,” he said quietly. We walked across the little square to the left-hand door. To the left of it the windows were shuttered. “That was where Juan Gris worked,” Pablo said ...
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