Life with PicassoNew York Review of Books, 11 juin 2019 - 384 pages Françoise Gilot’s candid memoir remains “one of the most illuminating [books] we’ve had on the mind and spirit of Picasso”—and gives fascinating insight into the intense and creative life shared by two modern artists (Los Angeles Times). Françoise Gilot was in her early twenties when she met the sixty-one-year-old Pablo Picasso in 1943. Brought up in a well-to-do upper-middle-class family, who had sent her to Cambridge and the Sorbonne and hoped that she would go into law, the young woman defied their wishes and set her sights on being an artist. Her introduction to Picasso led to a friendship, a love affair, and a relationship of ten years, during which Gilot gave birth to Picasso’s two children, Paloma and Claude. Gilot was one of Picasso’s muses; she was also very much her own woman, determined to make herself into the remarkable painter she did indeed become. Life with Picasso is about Picasso the artist and Picasso the man. We hear him talking about painting and sculpture, his life, his career, as well as other artists, both contemporaries and old masters. We glimpse Picasso in his many and volatile moods, dismissing his work, exultant over his work, entertaining his various superstitions, being an anxious father. But Life with Picasso is not only a portrait of a great artist at the height of his fame; it is also a picture of a talented young woman of exacting intelligence at the outset of her own notable career. |
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Page 9
... Midi. She gave Françoise very faint praise indeed but in the process she succeeded, against her own best efforts, in convincing me that Françoise Gilot was a person of very considerable interest. When I saw one of her paintings at the ...
... Midi. She gave Françoise very faint praise indeed but in the process she succeeded, against her own best efforts, in convincing me that Françoise Gilot was a person of very considerable interest. When I saw one of her paintings at the ...
Page 10
Françoise Gilot, Carlton Lake. the course of our discussions in the Midi, and which I wrote down in his presence at the time, came out in Françoise's conversations with me in exactly the same form, the only difference being that this ...
Françoise Gilot, Carlton Lake. the course of our discussions in the Midi, and which I wrote down in his presence at the time, came out in Françoise's conversations with me in exactly the same form, the only difference being that this ...
Page 21
... Midi. I wanted to return to the Rue des Grands-Augustins by myself but I felt it was a little early to show Picasso any new work even though he had been more than cordial in his invitation to come see him as often as I wanted to. I must ...
... Midi. I wanted to return to the Rue des Grands-Augustins by myself but I felt it was a little early to show Picasso any new work even though he had been more than cordial in his invitation to come see him as often as I wanted to. I must ...
Page 28
... And after our brief skirmishes of May and June, when I left for the Midi to spend the summer with Geneviève I was still stirred up by everything that had taken place before I met him. In my eyes the villains 28 LIFE WITH PICASSO.
... And after our brief skirmishes of May and June, when I left for the Midi to spend the summer with Geneviève I was still stirred up by everything that had taken place before I met him. In my eyes the villains 28 LIFE WITH PICASSO.
Page 82
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