Life with PicassoNew York Review of Books, 11 juin 2019 - 384 pages Françoise Gilot’s candid memoir remains “one of the most illuminating [books] we’ve had on the mind and spirit of Picasso”—and gives fascinating insight into the intense and creative life shared by two modern artists (Los Angeles Times). Françoise Gilot was in her early twenties when she met the sixty-one-year-old Pablo Picasso in 1943. Brought up in a well-to-do upper-middle-class family, who had sent her to Cambridge and the Sorbonne and hoped that she would go into law, the young woman defied their wishes and set her sights on being an artist. Her introduction to Picasso led to a friendship, a love affair, and a relationship of ten years, during which Gilot gave birth to Picasso’s two children, Paloma and Claude. Gilot was one of Picasso’s muses; she was also very much her own woman, determined to make herself into the remarkable painter she did indeed become. Life with Picasso is about Picasso the artist and Picasso the man. We hear him talking about painting and sculpture, his life, his career, as well as other artists, both contemporaries and old masters. We glimpse Picasso in his many and volatile moods, dismissing his work, exultant over his work, entertaining his various superstitions, being an anxious father. But Life with Picasso is not only a portrait of a great artist at the height of his fame; it is also a picture of a talented young woman of exacting intelligence at the outset of her own notable career. |
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Page i
... color and movement. In addition to painting, Gilot has written several books, including Interface: The Painter and the Mask (1975), the biography Matisse and Picasso: A Friendship in Art (1990), and, with Lisa Alther, About Women ...
... color and movement. In addition to painting, Gilot has written several books, including Interface: The Painter and the Mask (1975), the biography Matisse and Picasso: A Friendship in Art (1990), and, with Lisa Alther, About Women ...
Page vii
... colors. A couple of years later I came across her memoir Life with Picasso. Although of course aware of Pablo Picasso's status as a demigod in the artworld, I read the book from an interest in its author rather than its subject. What ...
... colors. A couple of years later I came across her memoir Life with Picasso. Although of course aware of Pablo Picasso's status as a demigod in the artworld, I read the book from an interest in its author rather than its subject. What ...
Page ix
... color schemes to define space and with his search for harmony—in contrast to Picasso's penchant for disruption and deformation. Picasso helped Gilot define who she was not as a painter, at the same time that Matisse was helping her ...
... color schemes to define space and with his search for harmony—in contrast to Picasso's penchant for disruption and deformation. Picasso helped Gilot define who she was not as a painter, at the same time that Matisse was helping her ...
Page 17
... color of the Matisse shone among the sculptures. I couldn't resist saying, “Oh, what a beautiful Matisse!” Sabartés turned and said austerely, “Here there is only Picasso.” By another little winding staircase, on the far side of the ...
... color of the Matisse shone among the sculptures. I couldn't resist saying, “Oh, what a beautiful Matisse!” Sabartés turned and said austerely, “Here there is only Picasso.” By another little winding staircase, on the far side of the ...
Page 19
... color to the greenery and so we arrived carrying a pot of cineraria. When Picasso saw us he laughed. “Nobody brings flowers to an old gent,” he said. Then he noticed that my dress was the same color as the blossoms, 19 PART I.
... color to the greenery and so we arrived carrying a pot of cineraria. When Picasso saw us he laughed. “Nobody brings flowers to an old gent,” he said. Then he noticed that my dress was the same color as the blossoms, 19 PART I.
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