Life with PicassoNew York Review of Books, 11 juin 2019 - 384 pages Françoise Gilot’s candid memoir remains “one of the most illuminating [books] we’ve had on the mind and spirit of Picasso”—and gives fascinating insight into the intense and creative life shared by two modern artists (Los Angeles Times). Françoise Gilot was in her early twenties when she met the sixty-one-year-old Pablo Picasso in 1943. Brought up in a well-to-do upper-middle-class family, who had sent her to Cambridge and the Sorbonne and hoped that she would go into law, the young woman defied their wishes and set her sights on being an artist. Her introduction to Picasso led to a friendship, a love affair, and a relationship of ten years, during which Gilot gave birth to Picasso’s two children, Paloma and Claude. Gilot was one of Picasso’s muses; she was also very much her own woman, determined to make herself into the remarkable painter she did indeed become. Life with Picasso is about Picasso the artist and Picasso the man. We hear him talking about painting and sculpture, his life, his career, as well as other artists, both contemporaries and old masters. We glimpse Picasso in his many and volatile moods, dismissing his work, exultant over his work, entertaining his various superstitions, being an anxious father. But Life with Picasso is not only a portrait of a great artist at the height of his fame; it is also a picture of a talented young woman of exacting intelligence at the outset of her own notable career. |
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Page 22
... idea that there was more involved than just paints, I asked him why he didn't bring them to me. Sabartés, never very far away, said, “Yes, Pablo, you should bring them to her.” “Why?” Picasso asked. “If I'm going to give her a gift, the ...
... idea that there was more involved than just paints, I asked him why he didn't bring them to me. Sabartés, never very far away, said, “Yes, Pablo, you should bring them to her.” “Why?” Picasso asked. “If I'm going to give her a gift, the ...
Page 24
... idea I could do anything I wanted to.” I smiled and told him to go ahead. By now he was thrown completely off the track. I knew very well he didn't know what he wanted to do—or even whether—and I had an idea that by saying, placidly ...
... idea I could do anything I wanted to.” I smiled and told him to go ahead. By now he was thrown completely off the track. I knew very well he didn't know what he wanted to do—or even whether—and I had an idea that by saying, placidly ...
Page 39
... idea. But then he began to think it over and he said, “I don't know whether it's such a good idea or not because it's binding on me, too. If you're agreeable to having no more liberty, that means I wouldn't have any more, either.” I ...
... idea. But then he began to think it over and he said, “I don't know whether it's such a good idea or not because it's binding on me, too. If you're agreeable to having no more liberty, that means I wouldn't have any more, either.” I ...
Page 40
... idea I'd find it rather cold up there under the eaves. “I agree,” he said. “Besides, I've got a better idea for February. Since nobody is allowed in here afternoons and I don't even answer the telephone if it rings, we'll be completely ...
... idea I'd find it rather cold up there under the eaves. “I agree,” he said. “Besides, I've got a better idea for February. Since nobody is allowed in here afternoons and I don't even answer the telephone if it rings, we'll be completely ...
Page 43
... idea, at least. “In that case you've seen enough, then. Enough for today.” He closed the album. “Let's go upstairs,” he said. “I'd like to get an idea about something, too.” We climbed the winding stairs to the floor above. Picasso ...
... idea, at least. “In that case you've seen enough, then. Enough for today.” He closed the album. “Let's go upstairs,” he said. “I'd like to get an idea about something, too.” We climbed the winding stairs to the floor above. Picasso ...
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