Music in Latin America and the Caribbean: An Encyclopedic History REANNOUNCE/F05: Volume 2: Performing the Caribbean ExperienceKuss, Malena University of Texas Press |
Table des matières
II | 1 |
III | 9 |
IV | 17 |
V | 29 |
VI | 55 |
VIII | 65 |
IX | 71 |
X | 97 |
XXIII | 309 |
XXIV | 319 |
XXV | 343 |
XXVII | 357 |
XXIX | 375 |
XXXI | 385 |
XXXIII | 415 |
XXXIV | 423 |
XI | 109 |
XII | 121 |
XIV | 149 |
XV | 187 |
XVII | 215 |
XVIII | 235 |
XIX | 249 |
XX | 263 |
XXII | 279 |
XXXV | 429 |
XXXVI | 443 |
XXXVII | 449 |
XXXVIII | 461 |
XL | 471 |
XLII | 481 |
XLIV | 523 |
XLV | 529 |
Expressions et termes fréquents
accompanied African Alén Rodríguez American Antilles Argeliers León Bahamas Bahamian bands Barbadian Barbados batá drums bèlè biguine bomba called calypso Caribbean carnival celebration Centro de Investigación ceremonies CIDMUC colonial comparsas composers courtesy Creole Cuba Cuban cultural cumbia Curaçao dance dancers danza décima Discography Dominican Republic drummers ensemble European festival fiesta folklore French gagá genres González groups güiro guitar Habana Haiti Haitian idiophones improvised instruments Investigación y Desarrollo island Jamaica José Kitts Kongo/Petwo La Habana liner notes Lucia María marímbula Martinican Martinique melodic membranophones merengue Música Cubana musicians Nevis oricha Ortiz palos performed Petwo plantation played popular music practices Puerto Rico Puertorriqueña quadrille Rada Recorded Ex reggae religious repertoire rhythms Rican ritual rumba Salve San Juan Santería Santiago Santo Domingo singer singing slaves social songs Spanish spirit steelband style sung Taínos timbric toque traditional Trinidad tumba francesa urban Vodou Yoruba