Katsura: Imperial VillaElecta, 2005 - 397 pages This book presents a detailed history of Katsura, the 17thcentury Imperial Palace in Kyoto, Japan that is a pivotal work of Japanese Architecture, often described as the "quintessence of Japanese taste". First revealed to the modern architectural world by Bruno Taut, the great German architect, in the early 20th century, Katsura stunned and then excited the architectural community of the West. Le Corbusier and Walter Gropius, pillars of the Modernist establishment, were fascinated by Katsura's "modernity." They saw in its orthogonal and modular spaces, devoid of decoration, clear parallels to contemporary Modernism, going so far as to proclaim Katsura a "historical" example of Modernity. This book documents the palace in detail, combining newly commissioned photographs, detailed drawings, archival material and historical analysis. |
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Page 364
... Yayoi principle . In Yayoi forms , there is a conscious aesthetic which stands out in sharp contrast to the unconscious vitality of Jomon . The one is resigned and still ; the other , rebellious and dynamic . The dichotomy is parallel ...
... Yayoi principle . In Yayoi forms , there is a conscious aesthetic which stands out in sharp contrast to the unconscious vitality of Jomon . The one is resigned and still ; the other , rebellious and dynamic . The dichotomy is parallel ...
Page 365
... Yayoi and Apol- lonian types . One sees in Yayoi culture the birth of abstract thought and formal balance , but there remains a certain two - dimensionality which shows no attempt to compre- hend or explain nature as a living organism ...
... Yayoi and Apol- lonian types . One sees in Yayoi culture the birth of abstract thought and formal balance , but there remains a certain two - dimensionality which shows no attempt to compre- hend or explain nature as a living organism ...
Page 382
... Yayoi tradition , the other a product of the plebeian Jomon tradition , were in conflict ; and the juncture of the two traditions brought about through these personalities gave the Katsura Palace the tension , the freedom , the newness ...
... Yayoi tradition , the other a product of the plebeian Jomon tradition , were in conflict ; and the juncture of the two traditions brought about through these personalities gave the Katsura Palace the tension , the freedom , the newness ...
Table des matières
Bruno Taut and the Katsura Villa | 319 |
Reflections on Katsura | 330 |
Architecture in Japan | 349 |
Droits d'auteur | |
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Expressions et termes fréquents
16 Maple aesthetic Amanohashidate Arata Isozaki architect aristocratic Bruno Taut building Central Gate century construction created culture Cycad Cycad Hill east East-west section elements Enshugonomi entrance floor front fusuma garden Gepparo Goten Gropius Hachijo Heian imperial court Imperial Gate Internal elevations Japan Japanese architecture Jomon Katsura Imperial Villa Katsura Palace Katsura River Katsura Villa Kenzo Tange kiwari Kobori Enshu Kohoan Koshoin Kyoto L-shaped Large Veranda Middle Shoin modern modernist Moon-Viewing Platform Music Pavilion North-south section Old Service Rooms Old Shoin Onrindo period Plan pond Prince Toshihito prior to restoration Rikyu roof Rooms 12 Servants samurai Second Room shelves shinden shinden-zukuri Shingoten shogunate Shoiken shoin-zukuri shoji Shokatei Shokintei Teahouse shrine space stones structure style sukiya Sumiyoshi Pine Sutemi Horiguchi Tale of Genji tatami Taut's tea ceremony teahouse tearoom temple tion tokonoma Tokugawa Tokyo Toshitada tradition tree Waiting Bench wall Western window wooden Yayoi zukuri