The Psychology of Music, Volume 10

absolute pitch Acoustical Society Acustica additive synthesis amplitude analysis analysis-synthesis Audio Engineering Society auditory average beat click beat interval Bregman combination tones complex tones components consonance corresponding Deutsch discrimination duration effect errors example experiment factor formant frequencies fraction name Fraisse frequency proximity frequency ratio function fundamental frequency groups harmonics identification imitation indirect sound inharmonic instruments interpolated tones Journal of Experimental judgment listeners loudness marker click melody msec musical intervals musicians octave octave equivalence octave illusion parameters partials patterns perceived performance physical pitch pitch class Plomp presented produced psychoacoustical Psychophysics range relation relative representation response rhythm rhythmic Risset scale sequences shown signals simultaneous singer's formant singers singing Society of America sound pressure level space spatial location spectral spectrum speech structure subjects Sundberg synthesis temporal Terhardt test tone theory timbral timbre tion tonal values vibrato voice vowels