Anti-architecture and Deconstruction |
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Table des matières
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| 61 | |
| 69 | |
| 89 | |
| 5 | |
| 15 | |
Part 9 BACKGROUND MATERIAL FOR The Derrida Virus | 37 |
Part 10 THE NEW ACROPOLIS MUSEUM | 53 |
Part 11 ARCHITECTURAL THEORY AND THE WORK OF BERNARD TSCHUMI | 61 |
Part 12 THE NATURE OF ORDER | 91 |
ENDNOTE by Lucien Steil | 201 |
References | 205 |
Autres éditions - Tout afficher
Anti-architecture and Deconstruction Nikos A. Salingaros,Christopher Alexander Aucun aperçu disponible - 2008 |
Anti-architecture and Deconstruction Nikos Angelos Salingaros,Christopher Alexander Aucun aperçu disponible - 2007 |
Expressions et termes fréquents
Acropolis Museum adaptive Alan Sokal Alexander’s alien anti-patterns archi architects architectural and urban architectural style architectural theory architecture schools artificial Bauhaus Bernard Tschumi biological built environment chitectural Christopher Alexander claims coherent components connections contemporary architecture Coop Himmelb(l)au create cult cult’s culture Daniel Libeskind Decon deconstruction deconstructivist architecture deconstructivist buildings define definition Derrida virus destroy different difficult discipline effect effort Eisenman fashion field find first fractal Frank Gehry fundamental Gehry genuine geometry of death human ideas identified images infect intellectual Jean Bricmont Jencks Jencks’s Le Corbusier Léon Krier living materials mathematical memes Mikiten mind modernism modernist nature Nikos Nikos Salingaros nonsensical off offered organized complexity paradigm Pattern Language Peter Eisenman philosophical physical reflect religion replace Salingaros scale scientific sense society space specific structure stylistic rule suffer superficial tecture texts theoretical tion traditional architecture Tschumi tural ture understanding universe viruses visual
Fréquemment cités
Page 26 - The law locks up both man and woman Who steals the goose from off the common, But lets the greater felon loose Who steals the common from the goose.
Page 26 - The German green uniforms made the place look gay and happy. There were not many Jews to be seen. We saw Warsaw burn and Modlin being bombed. It was a stirring spectacle.
Page 28 - I think that in these forms of art. and in any architecture, to deconstruct traditional sanctions - theoretical, philosophical, cultural -effectively, you have to displace ... I would say 'solid' structures, not only in the sense of material structures, but 'solid' in the sense of cultural, pedagogical, political, economic structures.
Page 68 - ... to question what these concepts and their history hide, as repression or dissimulation. Such examples suggest that there is a need to consider the question of limits in architecture. They act as reminders (to me) that my own pleasure has never surfaced in looking at buildings, at the 'great works' of the history or the present of architecture, but, rather, in dismantling them. To paraphrase Orson Welles: 'I don't like architecture. I like making architecture.
Page 67 - ... the definition of architecture may lie at the intersection of logic and pain, rationality and anguish, concept and pleasure
Page 28 - science" of grammatology is the opposite of science, rendered in fragments with the incoherence of a dream, at once banal and fantastical. It is innocent of the science of mind and language developed elsewhere in the civilized world, rather like the pronouncements of a faith healer unaware of the location of the pancreas.
Page 26 - I'd rather forget. But it was a horrifying sight. And yet, it's so symbolic, that you've got the hearth, the one thing that was left. And it was so beautiful. That's a horrible thing to say, but ruins are beautiful. You can't help it. Fascination...

