Star Trek: Parallel NarrativesSpringer, 26 janv. 2016 - 225 pages In Star Trek Chris Gregory analyses the reasons for the continuing success of the Star Trek phenomenon, traces its overall development and comments on how the differences between 1990s and 1960s series reflect changes in the mass media environment during this period. He examines Star Trek as a series of generic and mythological texts, compares TV and filmed versions, explores its 'cult' appeal and looks in detail at its psychological, social and political themes. |
Table des matières
| 1 | |
Star Trek television and cinema | 12 |
Star Trek myth and ritual | 102 |
Psychological political and social themes in Star Trek | 142 |
Star Trek episodes and films | 197 |
Bibliography | 212 |
| 217 | |
| 221 | |
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Expressions et termes fréquents
alien appears attempt audience Bajor Bajoran Bashir become Behr/Robert Hewitt Wolfe Berman Beverly Crusher Borg Brannon Braga captain Cardassians Chakotay characters comic crew culture Data device dramatic emotional emphasised encounters Enterprise ethics explore fans Federation Ferengi film focus future galactic Gene Roddenberry genetic genre holodeck human Ira Steven Behr/Robert Jake Janeway Jeri Jeri Taylor Kazon Kira Kirk Kirk's Klingon Maquis McCoy Menosky Michael Piller Moore moral movie mythic narrative O'Brien original series Peter Allan Picard planet plot political popular Prime Directive producer psychological Quadrant Quark race Rene Echevarria Riker role Romulans Ronald Ronald D scenario science fiction ship Sisko situation social society space Spock Star Trek Star Trek universe Starfleet Steven Behr/Robert Hewitt story arc storytelling Tamarians Tasha Yar television themes third season tion TNG's traditional Trek series Trek's Tuvok TV series viewers Voyager Voyager's Vulcan Worf Worf's wormhole writers