Drip-dry Shirts: The Evolution of the Graphic Designer

Couverture
AVA Publishing, 2005 - 192 pages
Every season, with alarming predictability, yet another graphic design book sets out to capture definitively the zeitgeist. The blurb always makes the same claim: that the book shows the work of the newest, youngest, most innovative designers. This restless search is self-perpetuating, can never be sated and ultimately intensifies nagging fears and insecurities among designers. An understanding of design history has the reverse effect. It explains who we are and sets contemporary work in an expansive and broad landscape, one that is more objective and less introspective. Without knowledge and experience we are lost, floating in a sea of unanswered questions. Drip-dry shirts seeks to answer some of the questions. Book jacket.
 

Pages sélectionnées

Table des matières

Using this book
8
The introductions
10
The dimensions
17
The history
18
The politics
24
The type
28
The lettering
36
The trademark
40
Sabina Oberholzer
93
Michael Gericke
107
Rupert Bassett
121
Helmut Schmidt Rhen
135
Kerr Noble
149
Dirk Fütterer
163
Reference section
177
The timeline
178

The imagery
42
The discussions
49
Experimental Jetset
51
Brookie Maxwell
65
Peter Smith
79
Index
188
Contributor biographies Image credits Thank yous
192
Back Cover
193
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À propos de l'auteur (2005)

Lucienne Roberts is a graphic designer who allies a commitment to accessible, engaging graphic design with a socially aware agenda. Her studio, LucienneRoberts+, specialises in design for the voluntary, charity and arts sectors. She was a signatory of the First Things First 2000 manifesto, which called for greater design responsibility; has taught widely, most recently at Yale and ESAD, Porto and is external examiner of BA Typography and Graphic Communication at Reading University.

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