Robert Paul and the Origins of British CinemaUniversity of Chicago Press, 9 déc. 2019 - 304 pages The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumière brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain’s most important early innovator in film, to his rightful place. From improving upon Edison’s Kinetoscope to cocreating the first movie camera in Britain to building England’s first film studio and launching the country’s motion-picture industry, Paul played a key part in the history of cinema worldwide. It’s not only Paul’s story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siècle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors. |
Table des matières
| 1 | |
| 7 | |
Flashback An Engineers Education | 35 |
Adding Interest to Wonder The First Year in Film | 63 |
Time Travel Film the Past and Posterity | 83 |
True Till Death Family Business | 105 |
Home and Away Networks of Nonfiction | 119 |
Distant Wars South Africa and Beyond | 145 |
My Original Business Pauls Technical and Scientific Work | 201 |
Paul and Early Film History | 217 |
Epilogue | 247 |
A Novel Form of Exhibition or Entertainment Means for Presenting the Same Pauls Time Machine Patent Application 1895 | 261 |
Flotation advertisement 1897 | 265 |
Robert Paul Productions 18951909 | 271 |
Notes | 289 |
| 331 | |
Telling Tales StudioBased Production | 167 |
Daddy Paul The Cultural Economy of Cinema in Britain | 189 |
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Acres's advertisement Alhambra animated photographs Animatograph apparatus appeared Archive audiences August Ayrton Barnes Birt Acres Boer Britain British Film British Film Institute Cambridge camera catalogue Cecil Hepworth Charles Pathé Charles Urban Cinema in England claim Codd continued Derby Early Cinema early film Edison electrical Ellen engineer English entertainment Exeter exhibition exhibitors filmmaking Finsbury Finsbury Technical College Friese-Greene George Hatton Garden Hepworth Hertz History industry instrument invention John Barnes Journal Jubilee Kine Weekly Kinematograph Kinetoscope known lantern later launch Lumière machine Magic manufacture March Maskelyne Méliès Messter Motorist moving pictures music hall Muswell Hill Paris patent Pathé Paul’s Paul's films pioneer popular Press produced projected projector R. W. Paul Ramsaye Richard Brown Robert Paul Royal Sadoul scenes scientific screen seems story Street studio subjects surviving theater Theatrograph tion Title/description tour trick films University of Exeter William
