Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds
The Cold War was as much a battle of ideas as a series of military and diplomatic confrontations, and movies were a prime battleground for this cultural combat. As Tony Shaw and Denise Youngblood show, Hollywood sought to export American ideals in movies like Rambo, and the Soviet film industry fought back by showcasing Communist ideals in a positive light, primarily for their own citizens. The two camps traded cinematic blows for more than four decades.
The first book-length comparative survey of cinema's vital role in disseminating Cold War ideologies, Shaw and Youngblood's study focuses on ten films—five American and five Soviet—that in both obvious and subtle ways provided a crucial outlet for the global "debate" between democratic and communist ideologies. For each nation, the authors outline industry leaders, structure, audiences, politics, and international reach and explore the varied relationships linking each film industry to its respective government. They then present five comparative case studies, each pairing an American with a Soviet film: Man on a Tightrope with The Meeting on the Elbe; Roman Holiday with Spring on Zarechnaya Street; Fail-Safe with Nine Days in One Year; Bananas with Officers; Rambo: First Blood Part II with Incident at Map Grid 36-80.
Shaw breathes new life into familiar American films by Elia Kazan and Woody Allen, while Youngblood helps readers comprehend Soviet films most have never seen. Collectively, their commentaries track the Cold War in its entirety—from its formative phase through periods of thaw and self-doubt to the resurgence of mutual animosity during the Reagan years—and enable readers to identify competing core propaganda themes such as decadence versus morality, technology versus humanity, and freedom versus authority. As the authors show, such themes blurred notions regarding "propaganda" and "entertainment," terms that were often interchangeable and mutually reinforcing during the Cold War.
Featuring engaging commentary and evocative images from the films discussed, Cinematic Cold War offers a shrewd analysis of how the silver screen functioned on both sides of the Iron Curtain. As such it should have great appeal for anyone interested in the Cold War or the cinematic arts.
Avis des internautes - Rédiger un commentaire
Aucun commentaire n'a été trouvé aux emplacements habituels.
Pleasure versus Progress
8 autres sections non affichées
Autres éditions - Tout afficher
Aleksandrov Alexander Prokhorov Allen American and Soviet American cinema American films AMPAS Andrei audiences Audrey Hepburn Bananas bomb box office chapter Choe Eun-hui Cinematic Cold circus Cold War films ColdWar communist conflict Courtesy critics cultural Days in OneYear depiction despite directors early Cold Elbe enemy Fail-Safe film's filmmakers German Gusev History Hollywood ideological images Incident at Map Iron Curtain Karel Kazan Kulikov London Lyolya Lyuba Major Kuzmin Map Grid Marlen Khutsiev Mikhail Mikhail Romm military million Moscow Motion Picture Nazi NewYork Nine Days nuclear Oxford political popular postwar production propaganda Rambo role Roman Holiday Romm Sasha scientists script Sergei Socialist Realist Solo Voyage Sovetskii ekran Soviet and American Soviet cinema Soviet film industries Soviet Screen Soviet Union Spring on Zarechnaya Stalin stars story subversive Tanya television Thaw Tightrope Tony Shaw Trofimov United University Press USSR Varavva Vietnam viewers Vladimir Volk West Western William Wyler Woody Allen Zarechnaya Street