The Last of the Crazy People

Couverture
Penguin Group (Canada), 2008 - 211 pages
13 Avis
While other 11-year-old boys are preoccupied with things like hockey, television and having fun, Hooker broods about his dysfunctional home-life. With a mother who refuses to leave her room, a brother in an alcoholic haze and a father who's unable to hold things together, Hooker's world is one of bewilderment and conflict. Feeling alone and unhappy, the young boy seeks to put an end to all of the confusion in The Last of the Crazy People, Timothy Findley's astonishing debut novel.

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Review: The Last of the Crazy People

Avis d'utilisateur  - Brett Rose - Goodreads

This book, while being absolutely engrossing, overwhelmingly brutal, heavily emotional, and elegantly written, was also a very convoluted one. You are left almost as confused as Hooker in the wake of ... Consulter l'avis complet

Review: The Last of the Crazy People

Avis d'utilisateur  - Crystal - Goodreads

For some reason I feel surprised and yet I feel like I should have seen it coming! The strength and charm is definitely in the simplicity of an 11 year old boy's struggle to understand. Consulter l'avis complet

Table des matières

Section 1
3
Section 2
37
Section 3
43
Droits d'auteur

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À propos de l'auteur (2008)

Timothy Findley was born in 1930. A native of Toronto, Canada, novelist and playwright Timothy Findley initially embarked upon an acting career. Findley worked for the Canadian Stratford Festival and later, after study at London's Central School of Speech and Drama, he toured Britain, Europe, and the United States as a contract player. While performing in The Matchmaker by Thornton Wilder, Findley was encouraged by the playwright to write fiction. Influenced by film techniques, Findley's first novel, The Last of the Crazy People (1967) is a penetrating look at a family of "emotional cripples" from a child's perspective. With his character Hooker, Findley captures the irrational logic of a child's mind without treating childhood sentimentally.The Butterfly Plague followed in 1969. The Wars (1978), Findley's most successful novel, has been translated into numerous languages and was made into a film. The Wars uses the device of a story-within-a-story to illustrate how a personality transcends elemental forces even while being destroyed by them. In 1981 Famous Last Words was published. This fictionalization of Hugh Selwyn Mauberley by Ezra Pound, a work that was already a "fictional fact," examines fascism. In Not Wanted on the Voyage (1984), Findley rewrites the story of Noah's Ark by giving voices to women, children, workers, animals, and folklore creatures, all of whom question Noah's authority. The novel turns into a parable that seems to challenge imperialism, eugenics, fascism, and any other force that endangers human survival. Again repeating an earlier text, Findley turns to Thomas Mann's Death in Venice to write The Telling of Lies (1986). This novel draws parallels between World War II atrocities and contemporary North America, which Findley sees as a metaphoric concentration camp. Findley died on June 20, 2002 in Provence, France

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