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Before firing, none of the colours has the appearance it will have afterward. The
local red clay, as you work it before the firing, is very dark; white clay, which the
Ramies had to order from Provins, is greyish. The colours as you apply them are
'It's the way he uses colour,' he said. 'In Matisse's work, when you find three tones
that are put on close to one another — let's say a green, a mauve, and a
turquoise — their relationship evokes another colour which one might call the
not necessary for a colour to have a determined form. It's not even desirable.
What is important is its power of expansion. When it reaches a point a little
beyond itself, this force of expansion takes over and you get a kind of neutral
zone to ...
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LibraryThing ReviewAvis d'utilisateur - bakersfieldbarbara - LibraryThing
An interesting book, but I kept wondering how Ms Gilot remembered all of what she wrote about. Did she take notes, knowing one day that she would write a book about her life with Picasso? If all of ... Consulter l'avis complet
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