The SAGE handbook of television studies

Print version:

Cover; Contents; List of Figures and Tables; Notes on the Editors and Contributors; Introduction; Part I Ownership and Regulation; 1 How to Study Ownership and Regulation; 2 Regulation and Ownership in the United States; 3 Television in Latin America: From Commercialism to Reform?; 4 Ownership and Regulation of Television in Anglophone Africa; 5 Ownership and Regulation in Europe; 6 International Regulation and Organizations; 7 Television in India: Ideas, Institutions and Practices; 8 Mexican Research on TV: A Tradition Framed by a Powerful Quasi-Monopolistic TV System. Part II Makers and Making9 How to Study Makers and Making; 10 The Division of Labor in Television; 11 From Network to Post-Network Age of US Television News; 12 Hollywood Story: Diversity, Writing and the End of Television as We Know It; 13 Television Cinematography; 14 Options and Exclusivity: Economic Pressures on TV Writers'Compensation and the Effects on Writers' Room Culture; 15 A Greener Screening Future: Manufacturing and Recycling as the Subjects of Television Studies; Part III Cultural Forms; 16 Television Program Formats: Their Making and Meaning. 17 Cultural Forms of Television: Sport18 Latin American Telenovelas: Affect, Citizenship and Interculturality; 19 Television News and Current Affairs; 20 Music on Television; 21 Reality Television; 22 Television Drama; 23 Sperm Receptacles, Money-Hungry Monsters and Fame Whores: Reality Celebrity Motherhood and the Transmediated Grotesque; Part IV Audiences, Reception, Consumption; 24 From the Networks to New Media: Making Sense of Television Audiences; 25 Effects and Cultivation; 26 Active Audience and Uses and Gratifications; 27 Raced Audiences and the Logic of Representation