Portugal's global cinema : industry, history and culture

Introduction: Framing the Global Appeal of Contemporary Portuguese Cinema – Mariana Liz1. Filming Narratives Becoming Events: Documentary and the ‘Emplotments’ of the Carnation Revolution – Luís Trindade 2. Our Beloved Month of August: Between the Filming of the Real and the Reality of Filming – Rui Gonçalves Miranda 3. Political Oliveira – Randal Johnson 4. Portugal, Europe and the World: Geopolitics and the Human Condition in Manoel de Oliveira’s Films – Carolin Overhoff Ferreira 5. Amália: Stories of a Singer and Tales of a National Cinema – Anthony de Melo 6. La Cage dorée: a Franco-Portuguese Comedy of Integration – Ginette Vincendeau 7. Portugal and Europe: Cinema and the City in a Postcolonial Context – Mariana Liz 8. Contextualizing Pedro Costa’s Digital Filmmaking – Nuno Barradas Jorge 9. Broken Links: The Cinema of Teresa Villaverde – Cristina Álvarez López and Adrian Martin 10. Mysteries of Raúl Ruiz’s Portugal: Territory, Littoral and Memory Bridge – Michael Goddard 11. White Faces / Black Masks: The White Woman’s Burden in Pedro Costa’s Down to Earth – Hilary Owen12. Light Drops: Portugal Critically Reviewing the Colonial Past? – Paul Melo e Castro13. Colonialism as Fantastic Realism in Tabu – Lúcia Nagib 14. Luso-Brazilian Co-Productions: Rescue and Expansion – Natália Pinazza